POW! Agent Hero: Fellows Friday with Suleiman Bakhit

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Creating characters and stories richly inspired by Arabic tradition, Suleiman Bakhit is fighting to change how the West sees Arab youth — and how Arab youth see themselves — one superhero at a time.

You started producing comics after you got attacked after 9/11. What happened?

I was a student at the University of Minnesota at the time, and president of the international student union. On campus, racial attacks immediately started happening against students who were thought to be Middle Eastern and Arab — whether or not they were — so I was thrust into a position where I had to do something about it.

I started an awareness campaign and started contacting newspapers, senators and so on. The state district attorney got wind of it, and we had a big event where he came to campus and apologized to all international students. This got a lot of media coverage. Shortly after this, four college kids attacked me on my way home late one night. They started with racial slurs, then attacked me with beer bottles. I suffered many scars and injuries that led to surgeries.

As I recovered, I thought, “Well, either I pack my bags and go home to Jordan, or I do something.” And I decided the best way to fight racism is to start with the young. So I began talking to schoolchildren ages 6 and 7 about Middle Eastern culture and what happened to me on 9/11, spreading a very simple message: Not all Middle Easterners are terrorists, and Al Qaeda is like the KKK.

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How did they respond?

They loved it! Actually, I’m a scary-looking guy, because I have a lot of scars — so I did have to break the ice. As soon as I got into the classroom, I’d ask, “Do you kids remember Aladdin and Jasmine?” They’d say, “Yeah, yeah.” Because you know, all the kids have watched Aladdin. And I’d say, “Jasmine is my ex and Aladdin stole her from me, and it really pisses me off!” The kids would just burst out laughing. 

I also used to bring with me a really nice small carpet from the Middle East. I’d say, “Guess what this is?” And the kids would go crazy. “Yes, yes! It’s magic carpet! Make it fly!” I’d say, “I’m sorry, but it only works in really hot weather. It’s only works in the desert.” In Minnesota, eight months of the year it’s snow, so it worked out perfectly. That’s when I first started realizing that mythology and stories have such great power to bridge cultural divides.

And they wanted to know whether there were any Arab superheroes?

Yes, they were really intrigued by what kids in the Middle East do, read, believe. They asked, “Is there an Arab Superman? Is there an Arab Batman?” I realized that actually, no, there aren’t any Arab equivalents to Western superheroes. Yes, there’s Aladdin and Sinbad, but no one has ever done an animation or comic book based on the actual mythology from within the culture.

I couldn’t get this question out of my head, and did a couple of years of hardcore research, reading ancient texts, doing six month’s archeological research in the Arab desert. I even learned Hebrew. I wanted to read Aramaic so I could read the Dead Sea Scrolls for inspiration. Meanwhile, I started to teach myself to draw, and came up with some characters based on my knowledge of Arab culture. It was a journey towards discovering my own culture more than anything else. 

To read the complete interview, visit the TED Blog.

Posted by Karen Eng 

Comments [1]

Black History Month: A Radical Counter-History of American Culture...in Moldova??!!?

Kyraocity of the Day: How are you celebrating the contributions of African Americans throughout U.S. history better known as "Black History Month"? How's it going out there?

 
While some black folks in my network discuss whether it's "Black History Month," "African-American History Month," or whether it would be better to call it "African Liberation Month" in the United States, I was pondering an alternate title. My favorite: Black-History-is-the-New-American-History Month. The original observance took place in 1926 by historian Carter G. Woodson and was named "Negro History Week. Perhaps we could apply Moore's Law and imagine that by 2020, we will have a Black History Month is the new American History Year.

WHOSE STRIPES AND WHOSE STARS?

Seriously, I could tell you a great story of a white student of mine, a senior, female music major at the University of Virginia, who upon discovering there was a Negro National Anthem, better known as "Lift Every Voice and Sing," was offended that black people had their own anthem. It wasn't American. We were denying our part as American citizens. I had her do research on both anthems. She discovered that the Negro National Anthem, also known as the "Black" or "African American" national anthem, was written in 1900. It was a song written as a poem by James Weldon Johnson (1871–1938) and set to music by his brother John Rosamond Johnson (1873–1954) in 1900. "The Star Spangled Banner" didn't become the national anthem until President Woodrow Wilson deemed it so in 1916 and a congressional resolution acknowledged it in 1931. She was appalled. This still didn't alter her view that it was wrong that African American students stood for their national anthem. It should be gotten rid of. So much for education.

I've been on the front lines of such resistance to accepting black history and culture as a professor. But this year, the year 2012,  marks the first time was invited by a non-US based group to speak in African-American History month. Over and over again in the last 10 years I have been learning about schools in Scandanavia teaching black music as a primary part of young education. And young people in Japan embracing hip-hop culture particularly its innovation and making a living from it. That's not happening here.


BLACK + RUSSIAN

Most people don't know my name is Russian. My grandmother who went to an elite boarding school in Washington, D.C. named me. Most people in Moldova speak Russian.

If my invitation to Skype with the American Studies Center of Moldova in any indication, Moldova is currently one of the poorest countries in Europe, black culture is not feared or avoided. That was my experience while there last year, too.

Moldova is a place way off the radar for most Americans. It's in Eastern Europe near Russia. I visited last year to give a TEDx talk (embedded above) in May 2011. I traveled 18 hours to give an 18 minute talk and flew back 18 hours to perform with an Indian choreographer in a piece that has me blend my classical training (in European voice and Indian voice) with my improvisational skills from jazz (and to a much lesser degree Karnatic music). I had to do this because I double-booked myself and the students in Chisinau wouldn't take no for an answer. They were hungry for me to attend.  


EDUCATION, LIBERATION

Next week, I'll be speaking in an international seminar by Skype titled “Black Women in American History: Social and Cultural Issues.” They are celebrating the 2012 African-American History Month organized in collaboration with IREX/Moldova.

"What makes the event special is the possibility to learn more about less known pages of African American history and share the ideas about personal contributions into the nation building." 

WOW!! I am the USA keynote speaker along with Leon Beene, Ph.D. Fulbright Scholar, Professor Emeritus, and other scholars, specialists and alumni of American Programs. The seminar is for university professors, post-graduate students, and members of public organizations in Moldova interested in American Studies. It will be held on Saturday, February 18, 2012 in Chisinau, Moldova. I am excited to be a part of it.

Fascinating that Moldovans are so interested in African American culture and we here in the United States, here in NYC, still haven't gotten all the black or African American people here educated or even really interested in being educated about African American people and their cultures. As a TED Fellow, I've now been to Beijing, Trondheim and Chisinau and been so well received that it makes me think "What's wrong over here?" 

So I am sought after internationally for a talk titled: "Education, Liberation": A Radical Counter-History of African American Culture from Black Girls' Musical Play.


B FOR BLACK HISTORY

I invite you to take on a radical exercise. Be for Black History as U.S. History this month.

A white Facebook mate of mine, Sarah Joy Oaklief, asked me this today after reading a Facebook update about my speaking via Skype in Moldova. Sarah wrote:
"One of my friends wrote a quote stating that she would prefer if people did not ask her about race--that we should read about it, Google it, watch documentaries. I responded that I would prefer to ask (but that I hoped that didn't make a jerk). I would rather hear people's individual stories than read about a culture's history (which IS important, but not something that I am consciously choosing to do right now). Anyway, I am curious about your thoughts. I told her what I felt but also that I hoped it didn't make me seem like an ignorant jerk--I don't want to be that, but I do want to be honest."

I replied:
 

I think you point to something that is critical. The written stories can sometimes lack personal intimacy and relatedness for your local knowledge. And black folks may be tired of being asked without any real change or relief experienced in their local experience of being fully accepted beyond their blackness or skin color. This is why I have this technology I invented called "Agree to be offended and stay connected." Let ppl know it's offensive what you just said but say more about your interest. Or let the other know I feel stupid asking and I might be ignorant but I really want to know. Asking even if you don't get more than that is REALLY critical to the healing we still need in so-called race relations in U.S. We are tired of being the 'teacher' or the person doing all the work understanding race and racism. Read about and watch videos by Jane Elliot and Peggy McIntosh - both amazing white women who tackled their own racism. Read up on Angela Davis and read the book of Michelle Alexander on The new Jim Crow to learn about how our government and justice system is killing the possibility of true justice and freedom for people of African descent. Do this in honor of American culture and history rather than black history month. But take this month to get started. Any day'll do. :-) Don't let feeling awkward or uncomfortable because people on the other side of the conversation who have been waiting a long time for you to come ask and be interested seem tired or unwell about it. Be great anyhow. Stay interested.

 

Kyraocity of the Day: How will you celebrate the contributions of African Americans throughout U.S. history today? One small act matters. Nothing too big.  At least one day this month in your day-to-day conversations with friends, family and colleagues, try this on: Agree to be offended and stay connected (TM).

--
Kyra Gaunt-Palmer, Ph.D. | KyraocityWorks
2009 TED Fellow, Author, Coach, Singer-Songwriter and Associate Professor
Voicing "the unspoken" through song, scholarship & social media

Tweet Me!   Friend Me!  Become a Blog Fan!   Email me!  http://kyraocityworks.com

Prajwala attacked

Letter just sent out from Sunitha, TEDIndia presenter and inspiring warrior for social justice for sex trafficked women and children. Hopefully we will learn soon how or whether we can help.

From: sunitha krishnan
Date: Wednesday, February 8, 2012

ATTACKS ON PRAJWALA CENTERS
There have been 3 attacks on various Prajwala transition centers in the last 25 days. The last one on a transition center on 7-02-2012 located in MM Pahadi in the old city of Hyderabad was the worst of all.
Armed men surrounded the center and refused to allow any children inside the center. The allegations was we were defaming the muslim community by claiming that we were working with women in prostitution and that many of them were from that area. 
I personally went and met the local leaders who were agitating and was threatened of dire consequence (they have threatened to cut me into million pieces). On my response to go ahead and kill me, our women(who were till then silent) were agitated and they openly spoke about their background. This angered the agitating community further and they openly threatened to kill all these women who have indulged in prostitution.
As we anticipated humiliating attacks on our women we told the community that we will close the center. The situation is grim with over 200 children out of school and the lives of women in grave danger. I understand yesterday 6 of the women were badly beaten. Today in the presence of the local police the community is having a meeting. They called me but I refused to go, as I anticipate they will further humiliate our women in front of me. I am not sure what the verdict of the community meeting will be today, I don't expect it to be favorable either for us or the women, and I am prepared for the worst. Local goons have declared openly to wipe me out, as I am supposed to be the mastermind behind all this.      
On our part we have informed the police and all concerned stakeholders. The local MP and MLA who can actually make a difference are avoiding me at any cost.
Sunitha Krishnan  

Posted by Rose Shuman 

Comments [9]

Future Generation Art Prize now accepting proposals

Tóxico Cultura  is happy to be one the the international Partner Platforms for "The Future Generation Art Prize". 

Established by the Victor Pinchuk Foundation, its aim is to discover, recognize and give long-term support to a future generation of artists up to 35 years of age, investing in the artistic development and new production of works. The Main Prize will be awarded to one artist who will receive the amount of US$ 100,000 from the international jury in the context of an exhibition. The Prize will be split in US$ 60,000 in cash and US$ 40,000 for the investment of new work production.

Besides, "to encourage this new generation of artists, a group of renowned Mentor Artists has committed its long-term participation in the Prize. These artists will provide in-person counsel and support to the prize winners, and one of the Mentor artists will have a parallel show at the same time as each shortlist exhibition. The 2012 Mentor Artists are Andreas Gursky, Damien Hirst, Jeff Koons and Takashi Murakami."

The jury is composed by Ai Wei Wei, Daniel Birnbaum, Ivo Mesquita and Robert Storr, among others.

Tóxico has sent over a list with our recommendation of  talented artists that will skip the preliminary rounds, and we do hope many more will apply.

Do click here to find out more; the application process is now open.

http://www.futuregenerationartprize.org/ 



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Gabriella Gómez-Mont
Tóxico Cultura, Founder
www.toxicocultura.com
TED Senior Fellow

Mexico City

@ToxicoCultura
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Living Architecture, by TED Fellow Rachael Armstrong, Explores How We Can Re-Imagine Cities of the Furture

What will the city of the future look like? More like an ever-changing and vibrant garden than a static set of buildings and blocks. In Living Architecture: How Synthetic Biology Can Remake Our Cities and Reshape Our Lives, British designer and architect Rachel Armstrong re-imagines the world’s extensive urban areas and argues that in order to achieve sustainable development of the built environment -- and help countries like Japan recover from natural disasters -- we need to begin rethinking how we approach architecture. Armstrong sets the scene for fundamentally different ways of making structures and materials, suggesting that we can ‘grow’ more ecologically compatible buildings by using life-like technologies, such as protocells. The result is a new kind of architectural practice where cities behave more like an evolving ecosystem than a lifeless machine.

 

Livingarchitecture

 

Start reading Living Architecture now for just $2.99:

Kindle >>

iBookstore >>

Nook >>

 

TED Books are an imprint of short nonfiction works designed for digital distribution. Shorter than traditional books, TED Books run fewer than 20,000 words each -- long enough to explain a powerful idea, but short enough to be read in a single sitting.

Posted by coreyted 

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Read William Kamkwamba's latest book for kids

No doubt you've heard of TEDAfrica Fellow, William Kamkwamba, a then 19-y/o Malawian kid who built a windmill to power his village home, with nothing other than a library book. Now he's all grown up, speaks fluent english and is a sophomore at Dartmouth with even bigger dreams.

Two and a half years ago HarperCollins published his memoir, The Boy Who Harnessed the Wind , written with Bryan Mealer. The critically acclaimed book was on the New York Times bestseller list, translated into 17 languages, and later was selected as one of Amazon's 10 best non-fiction books of the year. Now in response to popular demand, there is a kid's version of the book.

You can now view and read the complete Children's Book version online by clicking here. And if you feel like it, do spread the word... :-)

http://www.wegivebooks.org/books/the-boy-who-harnessed-the-wind?auto_launch=1&rel_campain=185956&widget_track_click=1&widget_user_id=&wref=http%3A%2F%2Fwilliamkamkwamba.typepad.com%2F&widget_type=smallbox&campaign_id=185956

Posted by pragzz 

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Breakthrough solutions: Fellows Friday with Juliette LaMontagne

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Juliette LaMontagne’s Breaker offers millennials a unique, hands-on alternative learning opportunity — working on projects with serious social impact. Breaker teams take on such challenges as illiteracy and feeding the city, while gaining valuable real-world social entrepreneurship skills.

Take us through the Breaker process — how does it work?

Each three-month Breaker project convenes a multidisciplinary group of young people between the ages of 18 and 24 to design product or service solutions to a global challenge. Projects are led by two visionaries — experts in the field who provide inspiration and context to the challenge. The first project we did, the Future of the Book Challenge, addressed the rise of functional illiteracy in the US, and asked the team to consider how emerging technologies might be harnessed to get adolescents reading. Our current Urban Agribusiness Challenge addresses the need to help urban agriculture grow from small-scale ventures to having a wider social impact.

Over three months, the Breaker team works with a series of collaborators — leading innovators in the field inform the research; industry experts guide the team throughout the process. The team approaches problem-solving using design processes they learn from IDEO, fuseproject, Frog and more; they’re exposed to start-up perspectives by working inside innovation ecosystems like AOL Ventures and QLabs. The project concludes by having the team pitch its products to an audience of all the existing collaborators, as well as members New York’s venture community. We set the bar high, but we also bring in the best of the best to support the process, offering the team access to the people and companies driving innovation in the space.

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Majora Carter presents a talk to the Breaker team and project collaborators to kick off the UrbanAg Challenge at the TED amphitheater in NYC. Click to see larger size. Photo: Juliette LaMontagne

To read the complete interview, visit the TED Blog.

Posted by Karen Eng 

Comments [4]

“Got Jeong?” by Esther K. Chae

Hey TED fellows, Happy Lunar New Year of the Dragon!  Here is my short essay "Got Jeong" that I wanted to share with you cuz you folks got some massive jeong! (Anthology "Pho for Life: A Melting Pot of Thoughts" in which this piece is featured is  available on Amazon


“Got Jeong?”  by Esther K. Chae

 

When I hear the wordlove” in English, I tend to ponder the Korean concept of “jeong.”  Written in Korean, in Chinese. 

Pre-google, I was always at a loss when I tried to express this word and concept to English speakers.  Now post-Google, jeong is defined on Wiktionary :

(jeong), pronounced as 'jeong' (sometimes spelled 'chung'), is a combination of compassion, empathy, and bond on a very soulful level. It is a connection that is formed between persons. Example pseudo-Korean phrases are: "That person's is deep," "He has no ," or "We live and die according to ." http://en.wiktionary.org/wiki/%EC%A0%95

Since language defines a person’s thought and is a portal to understanding one’s culture, if one’s language does not have a word to express a concept in a particular culture, does the person therefore not feel these emotions?

My attempt of definition. Jeong = Love brewed with time+bond+endearment+warmth+empathy+ a dash of pathos that brings a sensation of welling both in the eyes and heart. Most times unspoken and expressed through subtleties. Yes, it can also lean towards maudlin sentimentality.

OK.  So.  An example.

When I was a graduate student at Yale Drama, I would fly back once a year to Seoul to visit my parents, relatives and family.  I would have to immediately make a round of formal house greetings to my hal-muh-nee (grandma) and elders. And yes, just like any and all grandmas of the world, feeding me was her way of showing me her jeong. I remember as a child looking up at my parents for help with pleading eyes and a belly ready to burst when hal-muh-nee would be annoyed that I was supposedly full and was refusing her third helping.

Things did not change just because I was older, visiting from abroad and an acting student.  I remember that particular visit with hal-muh-nee, I wasn’t staying long.  I told her that I might not be able to visit again before I left Korea.  She asked when I would be back.  ‘Maybe in a year?’

She stopped eating her soup with rice in it.   We sat silently for a while.  She ate another spoonful of rice, stirred the remaining in the bowl and then pushed it in front of me.  I ate the remaining and finished her bowl of soggy rice. I started to feel my eyes and heart welling.  I understood that she wanted the same nourishment to be inside my body and become flesh and bone that would connect me and her.  That was her way of infusing me with her great jeong.

She died the next year.  I thought I was lucky that I was back for the winter holidays and was able to exchange a few words before her passing. My aunt said it was not luck but her determination that she would see everyone for the Lunar New Year and then leave us.  Of course. 

In my solo performance SO THE ARROW FLIES, elderly Mrs. Park is one of the most beloved characters.  She is a 60 something year old first generation immigrant who survived the Korean War.  A former linguist professor who taught in Seoul, she now lives in the U.S. with her FBI agent daughter. I believe one of the reasons audiences around the world adore her so much is that her character is infused with jeong.

SCENE 1 MRS. PARK/ LIVING ROOM

        Mrs. Park, 60 years-old, FBI Agent Park’s mother, Korean accented and lively, enters.

Hello!  Hi~  So sorry to keep you waiting, but my daughter Jiyoung just called and she can not join us for dinner.  She works very hard, even on weekends because she has a very important case about a North Korean spy.   Oh, I didn’t tell you?  My daughter is an FBI agent! Federal Bureau Investigation agent!!! I like to say that, sounds ve~ry cool!   Can you imagine, my daughter working for the American government.

My Ewha university alumni friends are scared of Jiyoung.  But that day she was in a hurry, so she just came down the staircase with out her jacket on and they saw the gun strapped around her. They said ‘uh-muh-na, she carries around a gun?’  So I said, ‘ she’s FBI agent, what does she carry around- banana?’   I don’t know what they are more scared of.  That Jiyoung carries around a gun or that she works mostly with white Americans, or that she is not married or because they think she is gay or because she has stupid horrible chestnut haircut!  I think it’s because of stupid short chestnut haircut.  I keep telling her ‘look at all those women on CSI shows, they have nice hair!’  But she doesn’t listen to me… But I understand.  She’s very pretty you know, so she can be very distracting to men.  So she has to dull and mute herself, you know what I mean?

But most importantly, she has to be inconspicuous because she put some bad villains into jail. And sometimes the villains come back out to hunt the agent down. She has a photocopy in her desk of all the villains’ faces who are now released from jail.  She looks at it often to recognize them just in case they come after her. (hushed) So after I saw this on her desk- I secretly made photocopy of the photocopy.  So I too can study very carefully each face-how high the nose is, what kind of skin color, what eye shape, how sharp their chin is.

I see everything. I have noon-chi.  Noon-chi. Ah, too bad English doesn’t have this word.  It means “eye-sense”. (points at her eye) Know what is going on. I have hyper eye sense. So if I see those villains from the photocopy, I can report to the police or call my daughter or distract them or do something, you know?  So I can be undercover agent for my daughter! (looks at laughing audience member) You laugh now, but you are too young to understand. That is how a Umma’s heart is, that is what I will do for my daughter.

(Later in the play, Mrs. Park explains more about her daughter who the audience has only seen as an interrogating FBI agent.)

SCENE 12: Mrs. Park/Living Room

My silly girl Jiyoung.  She was always fighting when even when she was young.  Tom boy, Tom boy. (she shadow boxes) Tough girl.  But not because she is bully, but you know, it was hard for her growing up in a small town in Georgia, no Asians there.

I remember one afternoon, Jiyoung come back home, hit all over her face, dress torn, noise bleeding.  I screamed “Jiyoung, what’s wrong, what happened?”  But Jiyoung just stared at me. She did not even cry, she just said she had to take care of some bad boys. 

Then she went into the bathroom and grabbed the scissors.  I was so scared she was going to hurt herself or someone, so I ran after her and tried to take it away from her, but she was already very tall and strong by then.  And she look at me and said “Umma, don’t worry. I’m just going to cut my hair.” I said, “don’t do that, you have nice hair.  Jiyoung, don’t do that.” But, she doesn’t listen to me.

Then she just snip, snip, cut off her long beautiful hair.  I just watched her.  She stared at the mirror for a very long time.  I think she forgot I was there because she jumped when I came behind her to style her hair to look better.  And I said. “You are right, Umma was wrong.  Buddha says hair is the weeds of ignorance. That’s why monks are bald. You are too smart to be vain and carry around so much hair.  I like this new hairstyle.” 

(agreeing with an audience member) Of course I was upset! My girl is so pretty and now she looks like Peter Pan boy.  But I had to acknowledge Jiyoung’s actions and kind of ritual, you know?  Then I made a promise with her. “Umma will not dye or pluck my grey hair, so it reminds me of my old-age and impermanence, and keeps me humble too, OK?” And then we made pinky promise.  Sealed with a stamp. (motions making a pinky promise)

But that’s all I could do. Make a promise.  I felt very very sad that I could not protect my daughter more.  And give her all that she needed and deserved, but I was so busy and tired working all the time.  From professor to factory worker.

Anyway, so that’s why I don’t dye my hair.  I know, I know I would look at least 15 years younger but I made that promise with Jiyoung.

Inspired by my parents and their parents and my friend’s parents-Mrs. Park is an ode to all first generation immigrants and their concept of expressing filial jeong towards their children.

The Korean word ’s pronunciation jeong comes from the Chinese characters .  It consists of (heart) + (blue).   Not red for passion or pink for romance or purple for courage.  But a Blue Heart. Talk about a bad ass-old school-one character tweet with so much poetic depth and meaning.

Posted by Esther Chae 

Comments [2]

The Nile Project

Hello TED Friends....

I'm here in San Francisco, relishing a rather rare moment of hilltop gazing, getting ready to head out on tour tomorrow. Much time has passed since I've last written, but it's been a beautiful few months. And of course, there's lots to share.

First - THE NILE PROJECT - This is my big new initiative. It is a multicultural musical platform that will bring together hip-hop, traditional and contemporary musicians living in the Nile countries (Uganda, Kenya, Tanzania, Ethiopia, South Sudan, Sudan, and Egypt) to play and record music, to tour down the river and its source lakes on a boat made of recycled water bottles, and connect the people of the river to each other and to the broader world. Loosely based on the Silk Road Project, and created by myself and Egyptian ethnomusicologist Mina Girgis, the Nile Project explores the intersection of ecology and culture across much of East Africa.

We are in the homestretch of a kickstarter campaign, and oh-so-close to our $10,000 kickstarter goal... Only $1300 left to go to make it to the finish line. And you know how kickstarter is.... If you don't raise it all, you don't get a thing. We just need a few word spreaders to tip us over the top! Post away!

Second, a new album.... ALMOST COMPLETE. CopperWire's Earthbound. It's a hip-hop space opera made in collaboration with two Arba Minch Collective members, Gabriel Teodros and Burntface, and born out of our last trip to Ethiopia. Using metaphors of space travel and intergalactic distances, we explore diaspora and cultural connection and disconnection. NASA star sounds are in the songs. Yes indeed. The website is in progress, but just launched. Check it out at www.copperwiremusic.com.

Third - an East Coast tour coming up NEXT WEEK with shows in Montreal, Burlington, Boston, Pittsburgh, Arlington/Washington DC, and New York City. Please join me!

http://www.facebook.com/events/226843364063717/

The adventure continues!
More - very - soon,
Meklit

Posted by Meklit Hadero 

Comments [1]

Sri Lanka: The kingdom of giants

Dear Fellows,

Here is an article I wrote for a local magazine that is distributed free to all passengers coming in through our airport. It is an attempt to help my country promote 'responsible' tourism and create a conscience amongst those interested in partaking in whale watching tours. I hope you enjoy it and it inspires you to responsibly travel to my beautiful country soon :)

Asha.

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Sri Lanka: The kingdom of giants

While the width of its fluke is the length of an average Sri Lankan fishing boat, it is with great respect that we maneouver through its territory knowing that a mere flick of the tail would send us reeling. But it is with unending fascination that we stop to watch. Even as a researcher who has the privilege to spend many hours weaving through their world, each encounter reminds me how lucky I am to experience something that only the smallest percentage of our world has, and ever will get the opportunity to marvel at.

The largest animal to ever roam the planet, the blue whale, is fast becoming a national icon; a symbol for the Sri Lanka in a new era of peace. While Sri Lankans are now free to roam and experience the entire country, the blue whale is free to explore the entire ocean, however, those in our waters do not wander afar. The northern Indian Ocean basin is home to a population of blue whales that, unlike others of this species, remain resident all year round.  While the warm waters of the tropics are a key reason for tourists from around the world to flock to our shores, it is precisely what prevents most whales from hanging around throughout the year. Tropical waters are generally less food-rich than those in the cooler areas such as the poles. For a species that feeds exclusively on tiny shrimplike animals called krill, that are no bigger than a 2 rupee coin, and consume about 3.6 metric tons or 2/3rds of the weight of an elephant in a single day – having areas rich with food is a key to their survival.

The blue whale is a baleen whale. This means they have fringed plates of fingernail-like material, called baleen attached to their upper jaws and a distinct absence of teeth. These giant animals feed by gulping an enormous mouthful of water, which is made possible by the expansion of their throat pleats. The whale then uses its massive tongue, which weighs as much as an elephant, to force the water out through the thin, overlapping baleen plates. The krill that are left behind are then swallowed in a single gulp.

So why are they called blue whales? Because as they swim under the surface of the ocean, they take on a beautiful tinge of blue; while at the surface, they are a mottled blue-gray in colour. While blue whales are generally considered solitary, in Sri Lanka, one often gets the opportunity to see more than just a couple in a single area. So why are our waters so popular with these great leviathans? Well, evidence comes in the form of a reddish substance that floats at the surface of the water before dissolving….blue whale poo! It gets its beautiful hue from the reddish-pink krill that the whales consume…and the fact that they defaecate is a sign that they are feeding in our waters.

While Sri Lanka is now being crowned one of the most accessible places in the world to see blue whales, for over two thousand years another giant has become synonymous with our island – the elephant. It became such a symbol of Sri Lanka that the coat of arms used during Dutch and British rule were adorned with an elephant standing majestically between two stands of palm trees. Sri Lanka is a blessed land. An unimaginable range of cultural and natural sights, smells and sounds abound as you travel through this island and the sight of the largest land mammal roaming the planet today is certainly one to behold. The mere fact that it is possible to see the largest land mammal and the largest marine mammal in one holiday makes Sri Lanka a very unique land and definitely worth a visit.

Unfortunately, both these species, the largest mammals in their respective habitats are endangered – they face a very high risk of extinction in the wild. They face problems related to increasing human encroachment – directly linked to increasing population size. Blue whales face significant threats from increasing ship traffic and elephants suffer from loss of territory and habitat due to increasing land development. While research on blue whales is still at its infancy mostly due to the costs related to working in the marine environment, we are beginning to understand their needs and better ways to conserve the populations.

So, while we sit back and enjoy the moment it is always important to remember to treat these giants with respect. We must recognize that these are wild animals, and while seeing them is a moment to celebrate, there is no guarantee for nature. To truly appreciate these giants, we must watch them in their natural habitat indulging in their natural behaviours. Rushing to get as close as possible or any other invasive action on our part only disturbs them and sends them fleeing. It is essential that you tell your operator that while you are keen to watch these animals you are happy to hang back and get the real experience to prevent harassing the animals. Make a statement about the importance of conserving these species when you pick your guide and don’t be afraid to vocalize if you think they are disrupting the animal’s behaviour. We have to remember that while we have the privilege to experience these giants, two of the greatest that have ever lived, they are not ours to destroy. We have a responsibility to protect them as they belong to all of us and most of all to our unborn children.

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Posted by ashadevos 

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